Monday, 29 February 2016

What to do with your short story next...

This one's a winner...
even the dog can't tear himself away.
So, you've written a short story and you're very proud of it. You'd like to get it published...

Here are just a few ideas for publication and competitions.

Centum Press was launched this year (2016) as a new publisher that produces short story and flash fiction anthologies. They will pay each author royalties for his or her work.
They are looking for short stories and flash fiction between 500 and 1,500 words. 

Independent publishers of new short fiction.
Looking for short story submissions for publication in their anthology series; about people and places, rather than about writing itself.
Stories between 1,000 and 20,000 words in length; most of the stories they publish are between 2,000 and 7,000 words
They pay £15 per thousand words for stories they publish
£3 submission fee

This short story magazine welcomes short stories from new and established writers. 
Critiques offered on all unsuitable work (FREE for annual subscribers). At least 72 pages in each issue.
Stories should be no longer than 3000 words.

Comma publish an annual anthology. They are looking for stories between 1500 and 8000 words, usually with a theme. See website for requirements.

No cut off date. All types of story are welcome.
Three prizes every issue, of £300, £150, and £100
Stories MUST be between 1000 and 3000 words
Entry fee is £6 or just £3 for subscribers | Optional feedback for just £5

Closes 14th March 2016. For writers of all levels, writing stories on any subject, in any style.
1st prize £2,000, plus a week's writing retreat at Anam Cara and a day with a Virago editor
2nd prize is £500 | 3rd prize £250 |Three other finalists will each receive £100
All six winning stories will be published in the June issue of Mslexia.
2,200 word limit

Closes 31st March 2016. All types of ghost story welcome. But we may be more likely to respond well to psychological chills and unexplained mysteries than in-your-face gore!
Prizes of £500, £250, and £100
Entries between 1,000 & 7,000 words in length; longer or shorter entries will be disqualified.
Entry costs £8 

Closes 31st March 2016. Crime fiction/crime short story competition for previously unpublished writers. 
Prize: a week-long writing retreat at West Dean College, editorial feedback and six months mentoring from a Myriad author. 
Up to 5,000 words 
Entry fee: £10

Closes 31st March 2016. Competition for unpublished writers - theme of ‘An Extra Day’
Prize: £100 plus trophy
Stories of up to 2,500 words 
Entry fee: £5

Closes 15th April 2016. A new competition open to black, Asian, minority ethnic writers living in the UK and Ireland. “We want to read your story, whatever it may be.”
Prize: £1,000, and publication on the Guardian website.
8,000 word limit  

​Closes 30th April 2016. Stories may be on any theme but only humorous stories will be eligible for the Trisha Ashley Award.
Prizes: £500 + trophy | £150 | £100
In addition, The Trisha Ashley Award for the best humorous story:  £200 + trophy 
Winning and short listed stories will be published in an anthology.
10,000 word limit. There is no minimum word count.
Entry Fee: £10​

Closes May 1st 2016. NO THEMES | NO GENRES! “We’re looking for imaginative, surprising, absorbing and beautifully written stories that bring characters to life and elicit an emotional response from the reader; in short, well written tales that will appeal to both the head and the heart.”
Prize: £150, publication in the summer issue and on the website, and promotion on Shooter’s social media. |The runner-up will receive £50, publication on Shooter’s website, and promotion on social media. |All entrants will receive an e-copy of Shooter’s summer issue.
5,000 word limit | £7 entry fee

Closes Tue 31st May 2016. Highly prestigious award 
Prizes: 1st £5,000 | 2nd £1,000 | 3rd £500 | Highly Commended 10 x £100. 
The top winning short stories will be published in the Bridport anthology. The winning stories and shortlist will be read by leading London literary agents with a view to representing writers. The top thirteen eligible stories are submitted to the BBC National Short Story Award (£15,000) and The Sunday Times EFG Private Bank Short Story Award (£30,000)
Word limit: 5,000 words (no minimum). Title not included.
Entry fee:  £10 for each short story submitted.

Closes Tue 31st May 2016. Prizes: 1st £1,000 | 2nd £500 | 3rd £250 | Highly Commended 3 x £50
The top winning short stories will be published in the Bridport anthology... (as above)
250 word limit
Entry fee:  £10 for each short story submitted.

Closes 31st May 2016. WWJ are looking for the most captivating first page of a story. Entries can be from a novel published, unpublished, a part written novel, or simply a first page written purely for the competition. Entries will be judged anonymously.
Prizes: 1st Prize - £500 | 2nd Prize - £100 | 3rd Prize - £50
Up to 400 words
You can submit more than one entry.  First entry submitted is £6, and £4 per entry thereafter.

Closes 1st November 2016. Theme: 'Fear'
Prizes: £100 | £50.00 | £25.00  
The winning entry will appear in the winter edition of Scribble, which will be published during December 2016
Maximum length: 3000 words.
Entry Fee: £4.00

If you know of any more, please feel free to post them in the comments below. 

Happy writing, and GOOD LUCK!

A short story!

Here's a short story which was inspired by my day with Clitheroe Writers Group

My story ideas were chosen at random, and had to include:
1. A disabled suicide bomber
2. A voice coming from a can of beans

It's fair to say I wasn't delighted by this brief, but when I sat down to think about the possibilities, the following questions helped to stir my creative juices...

What if the bomber drops the can and runs? What happens to the voice inside?
What if he can't open the can?
What if a customs officer confiscates the can?
What if the voice in the can gives him away?
What if he is scared to die?
What if the voice is a ghost from the past?
What if the voice is his conscience?

Having thought about the possibilities of the story, I felt a little less daunted by the brief.
And this is what I wrote...

O is sweating. Like, really sweating. Drenched armpits, face shiny, hands clammy. He didn't think he'd feel this way. The big neon sign tells him the train is being prepared for boarding. He has a ticket, paid for in cash. No seat. No identifying marks. Even his mother wouldn't recognise him behind the dark glasses, with the white stick and stupid old man clothes they made him wear. 

He's twenty two for fucks sake. 

You'll be fine, they said. Getting your end away with all those virgins, just seconds after... Really? That quick?

But he trusted them. He never liked the way they swore black was white, and the way they seemed to forget that things didn't always turn out the way you expect. But he trusted them.

He grabs his rucksack. Watches people waiting for the train; his train. Families with little kids, an old man with a hunch back just like his granddad, a woman with a dog in her handbag, business men, a nurse with a washed out look on her face and greasy hair, still wearing her uniform...

His heart beats so hard in his chest he's scared it will go off before the rucksack. And then suddenly, pangs of hunger grab him. Is it hunger? It must be. His guts are grumbling, talking out loud, drawing attention to him.

An announcement: "FIVE MINUTES TO BOARDING."

His eyes are everywhere - that's why he wore the dark glasses. But people are still looking at him, or listening. He has to move away. There's a shop. Don't go in shops, they said. No human contact, they said. And he knows he shouldn't, but he stands up and limps towards the Spar.


A kid on a scooter scoots past. Nearly knocks him over. O watches the kid scooting up and down, up and down, and remembers when he had two working legs. They can do miracles with prosthetics now, but what's the point? It'll all be over soon.

Then a woman calls, "Tommy, come here. We're getting on the train in a minute."

And this kid, Tommy, is like clapping and cheering and he's so damn excited. Has he never been on a train? O remember his first time. The way the cows and sheep whizz past. The way you get a table with your seat. The way the ticket man lets you clip your own ticket...

For fuck's sake. Stop thinking.


Stomach still rumbling. Churning. O goes to the shop, buys a can of beans and a can opener. Pays cash. Doesn't make converstaion.


He opens the can, and that's when he hears the cry. He looks up. Thinks, it's the kid, but the kid is gone; queing up at the gate with his mum, and the old man like O's granddad, and the woman with the dog, and the nurse.O looks around. There's no one else close by.

He hears the cry again. O looks at the can. The voice is coming from the can. For fuck's sake. I'm losing it, he thinks. He knows.

Don't do it, says the voice in the can. You have a life to live, a family to raise, dreams...

And O knows that voice. He's heard it before. It's a woman. His mother? His sister? Gran? Or Aunt?


There is a rush through the gates.

O looks at the can, and knows what he has to do.

Short Story Starters

When we write stories we think in terms of Character and Conflict, and how these inform Plot.

At my recent Short Story Writing Day with Clitheroe Writers Group, we did the following exercise to find inspiration for our stories.

1. Write a list of characters who have some sort of conflict in their life; perhaps in their personality, their job or their environment. 

2. Write another list of unusual or difficult situations which a person may find themselves in.

3. Pick one random thing from each list (or get someone else to do it for you). This is the basis for a story. 

4. Now, write a list of about 5 'What if' questions? These will  help you think about the possibilities for the story you are about to write. 

5. I suggest a cup of tea at this point, to give your ideas time to gel, but after this short break, sit down and write. (Remember it is only a first draft - you have time to polish afterwards.)

Clitheroe Writers enjoying their tea break 
CWG writers came up with some wonderful ideas and very unexpected stories. The thing about this exercise (especially if you do it as a group) is that it forces your imagination to work outside the box and think of stories you wouldn't normally dream of writing. My own particular story on this day was about a disabled suicide bomber who heard a voice coming from a tin can, which was definitely not something I would normally have tackled. But tackle it I did! You can read the first draft here...

If you would like to have a go at this writing exercise, here are some of the ideas we came up with in Clitheroe. Feel free to use all or some of these, or invent your own.

1. Child, who cannot swim 
2. An alcoholic, with OCD
3. Teacher, who shoplifts 
4. A disabled suicide bomber
5. A child who thinks he can fly
6. Zookeeper, obsessed with celebrity 
7. Barber, who sees ghosts 
8. Chef, with emotional incontinence
9. Grandma, with a guilty secret
10. Nurse, with a phobia
11. Father, who longs to dance
12. Priest, who cannot forgive
13. Little girl, with a broken gun
14. A jealous housekeeper
15. A passive aggressive bank manager
16. A very tall pot-holer
17. Lollipop lady, with Tourettes
18. Ambulance driver, who thinks he is a vet 
19. Builder, who writes poetry
20. A school teacher who is part alien
21. A butcher who hates his wife
22. A writer with a dictionary phobia
23. An out of work mercenary
24. A lingerie model with a large pimple on her bum
25. A father with a secret
26. A politician with morals
27. A little boy with a superpower
28. A mother who longs to parachute
29. Identical twins with narcissistic personality disorder
30. A sailor who gets sea sick

1. Mistaken identity
2. Being stalked
3. Caught in a snowstorm
4. Applies for a job s/he is not qualified for
5. The house is flooded
6. A sink hole opens up
7. Wakes up in the wrong bed
8. Gets stood up
9. A body falls from a motorway bridge
10. Forgets their money
11. Tied to the railway track
12. Takes responsibility for a crime they didn’t commit
13. Wears the wrong shoes
14. Finds a head in the fridge 
15. Builds a giant sandcastle
16. Slides envelope under the door
17. Steals an umbrella
18. Trapped in a lift
19. Caught eating in the library
20. Pulls out the wrong plug
21. Laughs at a funeral
22. Hooks a briefcase from the canal
23. Eats the wrong cake
24. A voice coming from a can of beans
25. Falls inappropriately in love
26. Sees themselves on the news
27. Stands on a cliff edge
28. Finds the neighbours dog is dead
29. The boat leaks
30. Caught masturbating by someone they know

Saturday, 27 February 2016

Writing Short Stories - The Alphabet Challenge

Last week I was lucky enough to be invited to Clitheroe Writing Group to lead a day of short story writing. We talked about what makes a good short story and came up with a few ideas, but we also agreed that there was no absolute right or wrong way. Short stories come in all shapes and sizes and different stories work for different readers.

However, one of our warm up exercises was the alphabet challenge...

Write a story in which each word begins with a different consecutive letter of the alphabet, beginning with 'a' and ending with 'z'. (You can use connectives and conjunctions and anything else to make the story work, but keep the word count to a minimum. Your story will be a minimum of 26 words long.)

Of course, everyone could come up with 26 random words without connection, but when you do this exercise you realise you are driven to think in terms of a character (of some description), that something needs to happen to change this character (conflict), and that we have an inbuilt need to think in terms of plot. It's a tall order with such a restictive brief, but incredibly, there were some rather good stories which came out of this.

Arthur Baxter's cat delivery enterprise flourished...

Mostly, we agreed that a short story should have the same elements as a novel (ie. plot, story arc, conflict, character development and transformation) but be significantly shorter and less complex than a novel. A short story is a snapshot of a life – rather than the whole of it, and generally the plot revolves around one conflict, one (or two) main characters, and be told from a single point of view. It is usually set in one place and covers a short period of time. Also, a short story should begin as close to the climax as possible, and equally important, it should end as quickly and efficiently as it started, often with a twist.

I don't think we agreed on description. My pesonal view is that description slows down the action, but not all group members agreed with me ... and some of their descriptive passages were simply lovely. As mentioned earlier, different stories work for different readers.

As far as length goes... stories of 20,000 words are short compared to a novel, and I have seen several reference to short stories up to 10,000, but I think an upper limit of 5,000 fits the criteria (one main character, one conflict, a snaphot of life etc). As far as lower limit goes, we are looking at anything from 140 characters up. Flash fiction stories don't typically exceed 1,000 words. Micro fiction stories are sometimes defined as having fewer than 300 words. Drabble fiction stories have fewer than 100 words; Nano fiction has fewer than 55 words; Twitter fiction, aka twitterature, has 140 characters maximum...

It seems to me, that a short story is pretty much whatever you make it... but you still need characters, conflict and plot. 

Want some more inspiration? Read my next post for some story starter ideas...